The softer parts are the reasons why I like 'MoP' better then '.And Justice for All'. 'MoP' is just a very complete album apart from the fast and venomous riffs, it has also some very clever softer parts (listen to it trough your headphones if you don't believe me). It has nothing to do with Maiden so, who ever suggests that I'm contradicting myself can go contradict himself. However, to end with a nice thing about Maiden I really liked it that Bruce spoke his mind about Ozzy, Sharon's docu-soap and the American audience instead of rechewing and spitting out the same old crap about love, respect and admiration. I'll admit that Maiden and I got off at the wrong foot I gave them a try when 'The X-Factor' was just released. Whenever I hear him, I hear operette-esque singing lines (which I don't like) and whenever I see him, I see a guy doing something that appoaches a grand écart in the wrong direction.

Many people think the world of him as a singer. It's just that I can't take Iron Maiden and more specificly Dickinson seriously. Hawkwind 'Future Reconstructions -Ritual of the Solstice' Rather primitove recordings, lots of 'scratchy' noises but very soulful and wicked from time to time

I also feel it displays another side of Cobain that you can't hear on 'Bleach or 'Nevermind'. This is by far one of the live albums ever. Magnet 'The Wickerman: original soundtrack' I don't really expect much people to know them. And from a musical point of view some of the best crossover metal ever produced. Queens Of The Stone Age 'Songs for the deaf'īob Dylan one of his offcial bootlegs, the one from 1964 in New York. Jimi Hendrix Experience 'Electric Ladyland' I take it anywhere and it always gets great response. It is also a great great album but 'Blasfemia eternal' is more brutal (don't worry, melodies are still there). And maybe I've looked over it but there is absolutely NO Iron Maiden or Bruce 'here are my genitals, feel free to kick' Dickinson (Thank you, mr. It's nice to see that everyone is into several kinds of music.

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